Put a small piano in a truck and drive out on country roads; take time to discover new scenery; stop in a pretty place where there is a good church; unload the piano and tell the residents; give a concert; offer flowers to the people who have been so kind as to attend; leave again.

Sviatoslav Richter on picking small venues for performance (via yochanah)

I am not a complete idiot, but whether from weakness or laziness have no talent for thinking. I know only how to reflect: I am a mirror … Logic does not exist for me. I float on the waves of art and life and never really know how to distinguish what belongs to the one or the other or what is common to both. Life unfolds for me like a theatre presenting a sequence of somewhat unreal sentiments; while the things of art are real to me and go straight to my heart.

master pianist Sviatoslav Richter (via facesofnatalia)

In America, they gave me a choice of a dozen pianos. That’s why I played so badly. I thought: “I didn’t choose the right one”. I never choose a piano… never! Take a piano as you take fate. Psychologically, things will become a lot easier. Choosing a piano for a concert is demoralizing. I leave it to the tuner. Like Saint Peter, you have to believe you can walk on water. Otherwise, you’ll sink.

Sviatoslav Richter recollecting his American tour (from the documentary “Sviatoslav Richter: L’Insoumis”, by Bruno Monsaingeon). (via tierradentro)

Divertimento: Mahler 9: Not the music of a dying man

k563:

Twenty eight. That’s the number of recordings I have of Mahler’s 9th Symphony, all now safely stored in digital format: from Bruno Walter’s 1938 pre-Anschluss concert with the Vienna Philharmonic, through the angst-ridden Bernstein-influenced 1960s to the 1981 version by Karajan (surely his…

4 months ago - 4
al-spudnik:

Gustav Mahler with conductor and pianist Georg Dhorn in Berlin, 1905

al-spudnik:

Gustav Mahler with conductor and pianist Georg Dhorn in Berlin, 1905

ifiredfourmoretimes:

At the 4th competition in 1966. 
From left to right: Gregor Piatigorsky, Piatigorsky’s brother, Gaspar Cassado, Pierre Fournier, Daniil Shafran, Mstislav Rostropovich. (I have never seen Shafran and Rostropovich together.)

ifiredfourmoretimes:

At the 4th competition in 1966. 

From left to right: Gregor Piatigorsky, Piatigorsky’s brother, Gaspar Cassado, Pierre Fournier, Daniil Shafran, Mstislav Rostropovich. (I have never seen Shafran and Rostropovich together.)
mahleriana:

nevver:

The Haunted Orchestra

i mean it doesn’t really seem any different from any other orchestra…

mahleriana:

nevver:

The Haunted Orchestra

i mean it doesn’t really seem any different from any other orchestra…

(via gestopft)

vermidian:

A poster series about the historical music period I did for my Music appreciation class. I’m really pleased that a] I finished it! and b] that I like what I’ve done. The line lines up and all my building look nice and I’m just happy with it. I hope you guys like them too!

(via gestopft)

I’m bored, again……
(All due respect, no offense intended)

I’m bored, again……
(All due respect, no offense intended)

If Wagner Had a Blog

jsbachroxmysox:

image

IF BRUCKNER HAD A BLOG

“Anton dear, why can’t you write posts that don’t sound all the same?”

(Source: classicalmusichumor, via gestopft)

If I were a Dead Russian Composer, I would be Dmitri Shostakovich!

I am a shy, nervous, unassuming, fidgety, and stuttery little person who began composing the same year I started music lessons of any sort. I wrote the first of my fifteen symphonies at age 18, and my second opera, "Lady Macbeth of the Mtsensk District," when I was only 26. Unfortunately, Stalin hated the opera, and put me on the Enemy Of The People List for life. I nevertheless kept composing the works I wanted to write in private; some of my vocal cycles and 15 string quartets mock the Soviet System in notes. And I somehow was NOT killed in the process! And Harry Potter(c) stole my glasses and broke them!

http://www.doppelgriff.com/russian/dsch.html